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schooner herbicide label

schooner herbicide label Prosecutor Pro Non-Selective Liquid Herbicide

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Description

schooner herbicide label Prosecutor Pro Non-Selective Liquid HerbicideProsecutor Pro Non Selective Liquid Herbicide Professional Weed, Brush & Vegetation Management Concentrate Prosecutor Pro Non Selective Liquid Herbicide is a professional use, broad spectrum herbicide concentrate designed to control unwanted vegetation in turf, ornamental, industrial, roadside, and non crop areas. This post emergent herbicide is formulated with 41% glyphosate in the form of its isopropylamine salt and is intended for use on actively

Prosecutor Pro Non-Selective Liquid Herbicide

Professional Weed, Brush & Vegetation Management Concentrate

Prosecutor Pro Non-Selective Liquid Herbicide is a professional-use, broad-spectrum herbicide concentrate designed to control unwanted vegetation in turf, ornamental, industrial, roadside, and non-crop areas. This post-emergent herbicide is formulated with 41% glyphosate in the form of its isopropylamine salt and is intended for use on actively growing weeds, grasses, vines, woody brush, and certain trees.

As a systemic herbicide, Prosecutor Pro is absorbed through treated foliage and moves through the plant toward the root system. This helps provide more complete control of difficult vegetation compared with contact-only weed killers. Visible results may appear within a few days on many annual weeds, while perennial weeds and woody plants may take longer depending on plant size, weather, and application conditions.

Because Prosecutor Pro has no soil residual activity, it controls vegetation that has already emerged but does not provide long-term pre-emergent weed prevention. This makes it a practical choice for site preparation, turf renovation, trim-and-edge work, spot treatments, and general vegetation cleanup where future planting flexibility is important.

Key Features & Benefits

Feature Benefit
41% Glyphosate Concentrate Delivers professional-strength control of many listed weeds, grasses, brush, and woody plants.
Non-Selective Formula Ideal for areas where complete removal of unwanted vegetation is desired.
Systemic Plant Movement Travels from treated leaves into the plant, helping control roots and regrowth points.
Post-Emergent Weed Control Works on vegetation that is already visible and actively growing.
Water-Soluble Liquid Mixes easily with water for use in properly calibrated spray equipment.
Surfactant Included Helps improve spray coverage and herbicide uptake on leaf surfaces.
No Soil Residual Activity Helps preserve flexibility for future planting or site renovation after labeled intervals.
Broad Use Range Suitable for many industrial, ornamental, turf, roadside, and non-crop vegetation management applications.

Best Uses for Prosecutor Pro Herbicide

Prosecutor Pro is a strong choice for professionals who need dependable vegetation control across commercial, municipal, agricultural, and property maintenance settings.

Use Category Common Application Areas
Industrial Vegetation Control Storage yards, utility sites, substations, petroleum tank areas, warehouses, manufacturing sites
Property Maintenance Fence lines, sidewalks, driveways, gravel areas, building edges, parking lots
Rights-of-Way Management Roadsides, railroads, utility corridors, guardrails, signposts
Landscape Preparation Renovation areas, ornamental bed preparation, shrub bed cleanup, pre-construction sites
Turf Renovation Existing turf removal before reseeding, sodding, or turfgrass renovation
Non-Crop Areas Parks, recreational areas, rangeland, wildlife management areas, dry ditches, municipal sites

The product is labeled for a wide variety of non-crop and managed sites, including commercial areas, fencerows, golf courses, landscape areas, parks, railroads, roadsides, schools, turfgrass areas, utility sites, and wildlife management areas.

Common Vegetation Controlled

Prosecutor Pro is designed for broad-spectrum control of many annual weeds, perennial weeds, vines, brush, and woody plants when applied according to label directions.

Annual Weeds Perennial Weeds Brush, Vines & Woody Plants
Crabgrass Bermudagrass Blackberry
Foxtail Bahiagrass Honeysuckle
Pigweed Johnsongrass Kudzu
Lambsquarters Quackgrass Poison Ivy
Chickweed Field Bindweed Poison Oak
Ragweed Canada Thistle Sumac
Goosegrass Dandelion Willow
Horseweed / Marestail Dock Sweetgum
Barnyardgrass Milkweed Oak
Spurge Nutsedge Small Trees & Saplings

Performance can vary depending on weed species, plant maturity, spray coverage, weather, and application rate. Heavy growth, dense infestations, dusty foliage, drought stress, or recently mowed vegetation may reduce control.

Product Specifications

Specification Details
Product Name Prosecutor Pro Non-Selective Liquid Herbicide
Container Size 2.5 Gallons
Herbicide Type Non-selective systemic herbicide
Active Ingredient Glyphosate, isopropylamine salt
Active Ingredient Percentage 41.0%
Formulation Water-soluble liquid concentrate
Application Type Post-emergent foliar spray
Surfactant Included Yes
Soil Residual Activity None / no residual weed control
Primary Use Weed, grass, brush, vine, and vegetation control
Application Sites Industrial sites, turf renovation areas, ornamental areas, roadsides, railroads, rights-of-way, non-crop areas
Application Equipment Broadcast sprayers, hand-held sprayers, backpack sprayers, spot-treatment equipment, selective equipment where labeled

Mixing Reference for Hand-Held Sprayers

Finished Spray Volume 0.5% Solution 1% Solution 1.5% Solution 2% Solution 5% Solution 10% Solution
1 Gallon 2/3 oz 1-1/3 oz 2 oz 2-2/3 oz 6-1/2 oz 13 oz
25 Gallons 1 pint 1 quart 1-1/2 quarts 2 quarts 5 quarts 10 quarts
100 Gallons 2 quarts 1 gallon 1-1/2 gallons 2 gallons 5 gallons 10 gallons

For hand-held and high-volume applications, apply uniformly to the foliage of the vegetation being controlled. Annual weeds under 6 inches may require lower concentrations, while larger annual weeds, difficult perennials, woody brush, and directed low-volume treatments may require stronger labeled solutions.

How Prosecutor Pro Works

Prosecutor Pro targets unwanted vegetation through foliar absorption. After the spray contacts actively growing leaves and green plant tissue, the active ingredient moves internally through the plant. This systemic movement helps reach underground structures such as roots, rhizomes, and other growth points, making it useful for controlling established weeds and hard-to-manage perennial vegetation.

For best results, apply when target weeds are actively growing and have enough leaf surface to absorb the spray. Avoid treating weeds immediately after mowing, grazing, or cutting unless sufficient regrowth has occurred. Heavy rainfall shortly after application may reduce performance and may require retreatment according to label directions.

Why Choose Prosecutor Pro Non-Selective Liquid Herbicide?

Prosecutor Pro is a dependable option for professionals who need a powerful, flexible, and easy-to-mix herbicide for broad-spectrum vegetation control. Its systemic glyphosate formula helps control unwanted plants from the leaves down through the root system, while the included surfactant supports effective spray coverage and uptake.

This 2.5-gallon concentrate is especially useful for:

Professional Need Why Prosecutor Pro Fits
Fast site cleanup Controls emerged weeds and unwanted vegetation before renovation or construction.
Turf renovation Helps remove existing turf and weeds before reseeding or sodding.
Fence line maintenance Reduces unwanted growth around boundaries, posts, and hard-to-mow areas.
Industrial vegetation control Helps manage weeds in storage yards, utility sites, and non-crop areas.
Brush and vine control Can be used for listed woody brush, vines, and saplings when applied as directed.
Flexible future planting No soil residual activity means it does not provide long-term soil carryover control.

Important Safety & Application Notes

Prosecutor Pro is non-selective and may severely injure or kill desirable turf, plants, trees, crops, and ornamentals if spray drift, mist, splash, or direct contact occurs. Use care around desirable vegetation and apply only with properly maintained and calibrated equipment.

Keep people and pets away from treated areas until the spray has dried. Always follow all label directions, PPE requirements, mixing instructions, application restrictions, storage guidance, and disposal requirements. This description is for product information only and does not replace the full product label.


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Product Reviews
J
JeFF Stumpo
Phoenix, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Omaha, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Dallas, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020
A
Verified Purchase
amber a
Port Orchard, US
★★★★★ 5
I tend to leave most books in this genre disappointed. I miss the classics
Format: Hardcover
I bought this book after hearing Stacey Lee speak about narrative tension at a lecture for YA writers - the talk was specifically entitled, "How to keep them up all night." The lecture (alongside Anna Shinoda) bit off a rather large amount of material. Neither woman mentioned vampires. The methods they discussed were smart, creative, and delivered with just enough humor to leave me wondering whether I'd be able to put their debut novels down. I devoured GONE WITH THE WIND at least six times cover to cover between my sophomore and senior year. While I am more susceptible to the Historical Fiction page turner than the average girl, I tend to leave most books in this genre disappointed. I miss the classics. I opened this book determined to not judge it by its gorgeous pastel cover. I started slowly. I enjoyed the first four or five chapters - leaving each fully appreciative of Lee's craft. I particularly enjoyed her ability to pepper humor though tragedy. I often complain about writers who miss the mark here. Stacey Lee nailed that important believable balance for me. I liked her characters quickly. I left each chapter satisfied, but thoroughly able to get up and go on with my life. Like a jaded Thumper in Walt Disney's BAMBI, this book was more than nice, but I wasn't susceptible to any kind of teen-aged Twitterpation over it. After the sixth or seventh chapter - four or five days after I first picked it up, I quietly closed my copy, placed it on my nightstand, switched off my lamp, fluffed my pillow and turned over. I turned over again. I flipped on the light - OK, just one more chapter... I zombie sleepwalked to work the next day. That night I retired early, making some completely convincing excuse about being exhausted. I was certainly too tired to read. Flash forward to 6AM when I woke up with this novel on my face. I turned it's last page this afternoon, fully satisfied. I am truly sad it's over. This book transported me. It's one I'll want to have in my collection forever, alongside the beautiful books that mattered to me as a teen; JANE EYRE, TO KILL A MOCKINGBIRD, UNDER A PAINTED SKY. Classic in feel, subject matter, and voice - but modern in approach, I'd be as comfortable recommending it to my book club as I would handing it to any teen. Readers of all ages and walks of life will surely find something that resonates with their own stories too. As for me, I am sure I'll be back on the trail with these girls-- I mean boys, before long. Now I'm off to try my hand at Anna Shinoda's LEARNING NOT TO DROWN. Well, maybe tomorrow. I need a good night's sleep and it's clear these authors know how to keep those pages turning.
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Reviewed in the United States on August 24, 2015
R
Verified Purchase
Ruth Franklin
Boise, US
★★★★★ 4
Good, Fun, Important Topics
Format: Paperback
Good, solid, read for ages 12+. Somewhat unrealistic and yet believable story of two strong young female characters traveling west disguised as boys. Couldn't stop reading it until I was finished with the book, and now my granddaughter is doing the same. This book has many relevant themes about race, gender, class, religion, and other stereotypes and is an excellent choice for a classroom or family read aloud. Get it.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 26, 2017

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